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Reservocation is now bi-yearly. Ok, we're going to try and get issues out on a more regular basis, but an all-volunteer staff sometimes hit non-volunteer work which always takes priority. That said, we may change our format to provide smaller, more managable weekly content updates. — Jarrett

Other News & Notes
The adults have finally decided to get their online feet wet with Design Observer. Great content and nicely moderated discussions. Also want to make a quick note telling everyone to check out The Ganzfeld, a quality printed magazine and the recently revamped Voice: the AIGA Online Journal of Design.

CSA Design

You may remember Charles S. Anderson Design from their beautiful promo work for French Paper. Design nerd that I am, I was soon looking for an excuse to go to Target to pick up a few of the nicer pieces.

CSA began working two years ago on one of its most extensive projects — the Target Halloween 2003 campaign.

Asked to create the look of the store’s seasonal identity, the Design Company took inspiration from the campy aesthetic of vacu-form plastic masks that many adults remember from childhood. The adult party theme of “Friday the 31st” incorporates masks as giant Pop Art in-store displays.

Company founder Charles S. Anderson said, “I grew up across the street from a graveyard as a kid, and it became my playground. Halloween was always a big deal at our house. Because of this, the design of the Target Halloween campaign was one of the most fascinating and unusual programs we have worked on to date.”

W+ CSAdesign

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Halloween print campaign CSA Design created for Target stores

Window Dressing

Much like Edward Fella’s Letters on America book, Joe Kral’s daily diary of found type is a hidden treasure. From stark modernist faces to hand scrawled signage, his photos from the last two years provide a randomized look at the signage that occupies the U.S. South-West. At only 3 years young, this collection will only get better.

W+ Joe Kral

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We are looking: If you come across a creative window display or anything of typographic/design interest on the street, send it our way. We’re going to try and feature at least one standout display every issue.

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