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Book Reviews

Typographica
Rick Poynor

“I went to Peter Gregory, who was the only person I knew at the time who could have helped me, and told him—in the way one does when one is 24—that I was going to publish this magazine, and that I wanted him to distribute it. He said: ‘My boy, you’re going to lose a lot of money. I’ll publish it for you.’ It was typical of the man that he didn’t say: ‘let me think about it; come back tomorrow’, but made an immediate decision—and that he and the firm stuck by it for 18 years.” —Herbert Spencer, 1949

Typographica, authored by Rick Poynor, chronicles the lifespan of the seminal magazine of the same name as well as the life of its editor, Herbert Spencer. Published in London in two series of 16 issues each, Typographica was published from 1949–1967

and made a quite an impact on Britain’s acceptance of modernist design and typography.

What personally interested me most was Spencer’s growth as an editor. A majority of the book explains Spencer’s choice of editorial focus and the outside influences that shaped it. From his initial crusade in the late ‘40s to bring British typography into step with modern design ideologies, to his exploration of visual narrative in photography in the early to late ‘60s and finally, to the late ‘60s where he focused on assimilating the avante-garde while eschewing pop-art influences, Spencer was the driving force of a highly influential magazine.

The pace and narrative of Typographica is very well thought out and detailed, thanks, in part to Poynor’s seven years worth of

interviews with Spencer himself. The reproductions of various spreads from Typographica are good but hard to fully make out at small sizes. A follow-up book reproducing the two series to scale would be a very welcome addition. Although, that’s not an easy nor inexpensive request considering all the custom papers, overlays and attached pieces that sometimes came with each issue, not to mention the changes in size from series to series.

Anyone with an interest in design publishing, design history, or the DIY ethos will find Typographica a very inspiring read. Buy it.

Princeton Architectural Press

Review by: Jarrett Kertesz

 
 

RMX Extended Play

RMX Extended Play is beautiful. Brisbane-based illustrators, Rinzen, have successfully organized 6 themes and over 31 illustrators from around the globe, with the premise of remixing their work and showcasing it in their newest book, published by Die Gestalten Verlag. The book also comes with a CDROM containing tracks made up of only the human voice, tweaked and re-sampled by various artists.

The premise for RMX Extended Play is simple. Start with a themed illustration in the form of an Adobe

Illustrator or Macromedia Freehand document. Send that out via email to the next person to be modified in any way the recipient feels necessary—while still keeping the theme and some element(s) of the previous illustration—then pass it along to the next creative in line. Repeat as necessary, but don’t use any bitmapped images.

With remixes from the likes of Rinzen, Matt Owens, Designershock, FutureFarmers, Evan Hecox, North, Less Rain, Eboy and many others, you can’t go wrong.

This book is an act of trust on the

participants. They go in knowing that their proverbial children are going to be nothing like they were after remixing, yet while in the role of “remixer” they try their best to maintain at least a semblance of the original theme. That’s what makes this book work so well…not knowing what’s coming next — for the participants and the reader.

Die Gestalten Verlag

Review by: Jarrett Kertesz

 
 

Mutabor 10, Grand Magasin
—Stay, amuse(d) consume

Mutabor 10, Grand Magasin — Stay, amuse(d) consume steps off the normal scale of branding and enters a world full of surreal possibilities. Grand Magasin is the super-futuristic department store where the consumers every want is calculated before they even enter the shopping environment. Desires and needs are all taken into account before hand. Solutions to everyday problems of mobility, convenience, clothing and entertainment are offered up as well.

This is a brand utopia as few could have envisioned it before.

Shopping experiences, media gadgets, technologies, perfumes, foodstuffs and more are explored in minute detail, all backed up with real-world uses and scenarios. The amount of time spent creating all the brands, logo, products and environments is an impressive exercise.

Great illustrations and slick paper within a large format carefully help guide the patient reader through the hyper-aware marketers

dream of consumer guidance. While I was never entirely sure if Mutabor’s “Stay, Amuse(d) Consume” Grand Magasin was taking itself too seriously…they’ve definitely, thoroughly explored hypothetical future brands and brand experiences that may become actuality.

Die Gestalten Verlag

Review by: Jarrett Kertesz

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