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Method is a design firm with offices in Manhattan and San Francisco working in print, web, branding and multi-media. They’ve only been around since January 1999 and already have a great body of intelligent work. Mike Abbink answers some questions.

With the redesign of your site, do you think that people, in general, are seeking simplified design and solutions just to make sense of the information overload we are subjected to every day?

Yes, I think people in general are tired of all the overload and horribly organized information as a whole. More and more we’ll see simplified design; after all it’s what I think design is all about. The Method site is also somewhat of a reaction to the bad taste Flash has left in our mouths; there’s something about it that just gets old. We thought we’d just use html to focus on our work and lose the gimmicks.

Has this simplification in Method’s web presence changed the way you will approach projects in the future?

It’s hard to say, we always try to do the simple thing, but many of our clients want wiz bang stuff in Flash and think the simple designs are not catchy enough (marketing folks, of course). Generally, I think we’ll continue on our path to try to do what we think is good design work.

What does the creative team at Method do before you begin any project?

We have brainstorm meetings and follow-up meetings all the time. We try to keep the team together as much as possible. We really try to focus on what the problems are, so we can better understand what we’re designing for. The rest seems to fall in place.

Method does a lot of cross media work. Do you find that you enjoy one medium over the other?

I personally enjoy print work, but we have a mix of people in the studio that love new media as well. We have a nice balance of designers that enjoy most mediums, but I think we’d like more print projects.

Were you apprehensive about starting the work for Adobe: Defy the Rules and Smash the Status Quo? Having no limits can be tough sometimes.

We were, but after a good solid brainstorming session, things began to make sense and the directions became almost obvious to us. The first few days were tough, but once you connect with some strong ideas, it’s easier to focus on something.

Have the companies you’ve done work for been diligent in keeping their brand identity consistent on the web?

We’ve had some good luck, there’s always a few that seem to screw up the brand and destroy design work. We tend to give pretty detailed guidelines while the sites are built. Of course once the site starts getting maintained, the in-house team will make plenty of changes. And, over time the brand goes all over the place with no real focus.

 
How important do you feel this is? Or are each client’s needs different?

I think it’s extremely important, but a tough one to have clients follow through on. Usually there are so many people that get their hands on the brand that it’s destined to be diluted. Clients have different needs, so it’s hard to generalize things, but consistent use of the brand is hard to find. Again, I have to say one of the major culprits of destroying consistent simple brand communications is the marketing team along with their ad agency. All the research they live by may be helpful to sort out the past…maybe even the present (on occasion), but it does not prepare you for the future. Design has an element that’s not quantifiable, it just is. That’s exactly what marketing folks don’t want to hear, nor are they willing to accept it.

Do you feel that companies should explore new identities, or extended identities for their online presence? Should off and online be tied together more?

I think if a company explores a new identity, they need to really know why they’re doing it. Extended identities can work, but it’s all about having a plan that makes sense and delivering on it. So many brands extend into online arenas and loose or change their focus. At the end of the day a company has to deliver a product that works, then and only then, can the logo begin to have equity attached to it. Most clients want the logo to do it all, when in fact it does not do anything; it serves as an identifier to something that people have experienced. Hopefully that experience is a good one, and you want a good design system to go with it.

What can we look for from Method in the near future?

I think method is growing now, we’ve only been around for 2.5 years and we’ve learned a lot. Our work will be smarter and it will have more variety. We’re getting some great jobs that have challenged us and improved our ability to deliver sound design. Method will be a good fit for changing business needs and desires that will unfold in the next 2 years.

Thanks Mike…always a pleasure.
Method

interview by: Jarrett Kertesz
 
FLASH WORK FROM GREG PYMM

Part two. Extra special thanks to Greg for getting this to together on really short notice. This update to the Color Generator sees the addition of some great functionality. You can choose a palette by clicking and dragging the swatches to the left grey area where they are saved. Then click the “Playground” button where you can drag any of the colors to “Create.” From there choose “Tint,” “Shades,” etc. of that same color. If you can’t find a good match, use the “NEW COLORS” button.

Greg Pymm is a freelance designer/Flash programmer.